Early Romantic Music period — salon concert in 19th century Europe
Western Music History ⑥ Early Romantic Music (1820s–1850s) | When Emotion Became the Language of Music

Early Romantic Music period — salon concert in 19th century Europe

The Early Romantic period built upon the order and formal structures that Classicism had refined — and within that framework, composers began to express personal emotion and imagination with a new kind of freedom. As the Industrial Revolution expanded the urban middle class, music moved beyond the courts and churches into public concert halls, private … Read more

Modern double horn in F/B-flat (early 20th century), rotary valve system, fully chromatic orchestral instrument illustrating the Evolution of the Horn after valve invention
The Evolution of the Horn | From the Roar of the Hunt to the Sovereign of the Orchestra

Modern double horn in F/B-flat (early 20th century), rotary valve system, fully chromatic orchestral instrument illustrating the Evolution of the Horn after valve invention

The evolution of the horn remains fully inscribed in its distinctive playing posture. On the orchestral stage, perhaps the most curious sight is the back view of the horn section. While other brass instruments such as the trumpet and trombone aim the barrel of their sound straight toward the audience, the horn alone turns its … Read more

Musica Ficta
Musica Ficta | The Hidden Order Beyond the Score

Musica Ficta

Medieval Modal Theory Series 1. From Neumes to Mensural Notation | From Music Remembered to Music Measured in Time 2. The Birth of Solmization: Guido of Arezzo and the Beginning of Do–Re–Mi 3. 8 Church Modes: Musical Order Before Major and Minor 4. Same Final, Different Modes: Authentic and Plagal Modes in Gregorian Chant 5. … Read more

modern modes s
Modern Modes | A New Musical Language Chosen by Jazz and Contemporary Music

modern modes s

Medieval Modal Theory Series 1. From Neumes to Mensural Notation | From Music Remembered to Music Measured in Time 2. The Birth of Solmization: Guido of Arezzo and the Beginning of Do–Re–Mi 3. 8 Church Modes: Musical Order Before Major and Minor 4. Same Final, Different Modes: Authentic and Plagal Modes in Gregorian Chant 5. … Read more

major and minor
The Collapse of Modal Thinking and the Birth of Major and Minor

major and minor

Medieval Modal Theory Series 1. From Neumes to Mensural Notation | From Music Remembered to Music Measured in Time 2. The Birth of Solmization: Guido of Arezzo and the Beginning of Do–Re–Mi 3. 8 Church Modes: Musical Order Before Major and Minor 4. Same Final, Different Modes: Authentic and Plagal Modes in Gregorian Chant 5. … Read more

Overview of the eight church modes showing authentic mode and plagal mode pairs with shared finals
Same Final, Different Modes: Authentic mode and Plagal mode in Gregorian Chant

Overview of the eight church modes showing authentic mode and plagal mode pairs with shared finals

Medieval Modal Theory Series 1. From Neumes to Mensural Notation | From Music Remembered to Music Measured in Time 2. The Birth of Solmization: Guido of Arezzo and the Beginning of Do–Re–Mi 3. 8 Church Modes: Musical Order Before Major and Minor 4. Same Final, Different Modes: Authentic and Plagal Modes in Gregorian Chant 5. … Read more

Medieval parchment illustration evoking Church Modes before major and minor.
8 Church Modes: Musical Order Before Major and Minor

Medieval parchment illustration evoking Church Modes before major and minor.

Medieval Modal Theory Series 1. From Neumes to Mensural Notation | From Music Remembered to Music Measured in Time 2. The Birth of Solmization: Guido of Arezzo and the Beginning of Do–Re–Mi 3. 8 Church Modes: Musical Order Before Major and Minor 4. Same Final, Different Modes: Authentic and Plagal Modes in Gregorian Chant 5. … Read more

Guidonian Hand diagram used by Guido of Arezzo to teach solmization and pitch relationships in medieval music
The Birth of Solmization: Guido of Arezzo and the Beginning of Do–Re–Mi

Guidonian Hand diagram used by Guido of Arezzo to teach solmization and pitch relationships in medieval music

Medieval Modal Theory Series 1. From Neumes to Mensural Notation | From Music Remembered to Music Measured in Time 2. The Birth of Solmization: Guido of Arezzo and the Beginning of Do–Re–Mi 3. 8 Church Modes: Musical Order Before Major and Minor 4. Same Final, Different Modes: Authentic and Plagal Modes in Gregorian Chant 5. … Read more

neume&mensural notation
From Neumes to Mensural Notation | From Music Remembered to Music Measured in Time

neume&mensural notation

Medieval Modal Theory Series 1. From Neumes to Mensural Notation | From Music Remembered to Music Measured in Time 2. The Birth of Solmization: Guido of Arezzo and the Beginning of Do–Re–Mi 3. 8 Church Modes: Musical Order Before Major and Minor 4. Same Final, Different Modes: Authentic and Plagal Modes in Gregorian Chant 5. … Read more

Classical Music String Quartet
Western Music History ⑤ Classical Music (1750–1820) | Balance, Clarity, and the Logic of Form

Classical Music String Quartet

From the mid-18th to the early 19th century, the Classical period emerged as the era in which the aesthetics of balance, clarity and structural proportion became most fully realized in Western classical music. With the spread of Enlightenment thought and the rise of the bourgeois class, music expanded beyond courts and churches into public concert … Read more

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